Défaut et singularité dans la création de caractères typographiques
Display of historical and theoretical research on the influence and place of the reproduction tool for type designer. How do the shape characteristics generated by the technique bear witness to growing experimentation? Interviews with Thomas Huot-Marchand, Bonjour Monde, Yoann Minet, Sandrine Nugues, Jean-françois Porchez and Alice Savoie.

Available for reading in pdf here!
Defect and singularity
in the creation of typographycal
characters, DNSEP Thesis, 2019
Size: 15,5 x 23 cm
Printing method: Laser
Number of copies: 10
dos.
Collection of book-objects relating the media history of formerly censored works, today accepted, but still matter for debates and source of prohibitions.

N•1: Sade, Justine or the Misfortunes of Virtue
N•2: Mapplethorpe, Man in Polyester Suit
N•3: Roger Vadim, And God created the woman
Collection of book-objets, 2019
Size: 21 x 17,5 cm
Printing method: laser
Number of copies: 3
On the edge of fantasy
Collaboration with the artist Hannah Archambault, during the design of her book "On the edge of fantasy" on the notion of fantasies. As it is a difficult concept to define, we built this book in order to leave a mark of these various intangable interviews and nuances of fantasy.
Book design, 2019
Size: 21,5 x 16 cm
Printing method: laser
Number of copies: 25
Insérer titre
Abstracts written at the beginning of the thesis, a reflection on the history of typography.
Insert title
Collection of student abstracts, 2019
Size: 10 x 17,7 cm
Printing method: laser, serigraphy
Number of copies: 30
FAKE OR NOT
Addressing environmental challenges is a major challenge for our societies. How can we see more clearly in the magma of information, assertions and rumors that overwhelm us? There is an urgent need to unravel the true from the false. The collection «Fake or not» helps us to see more clearly. These scientific and educational books decipher reality, deconstruct fake news and preconceived ideas based on the analysis of a scientist, on figures, facts and orders of magnitude.
Collection, 2021
Illustrations: Sarah Fouquet
Artistic direction: Nathalie Redard
Infographics: Alan Deleflie
Size: 14 x 21 cm
Number of copies: 4000
Ecrin
With the Société Métallurgique de Normandie (SMN), the Colombelles plateau is inhabited by three types of social classes confined to three types of housing: workers' habitats, foremen’s houses and villas. Yet, by the darkness of the night the noticible social differences on the façades disappear only in part. In fact, when the windows start to light up, the different architectures are no longer obvious but the window frame is always identifiable. Indeed, even in the finest detail can these social differences be revealed. In addition, the Colombelles plateau was built for families where one or several members worked at the SMN which resulted in surveillance and voyeurism. Thus, while observing the course of life being lead during nighttime in these households, I wanted to transcribe this indiscretion, while respecting their intimacy.
Casket, design, 2017
Size: 30,5 x 43 cm
Printing method: laser
Number of copies: 1
tintin !
Fanzine retracing the construction process of the "tintin!" piece of furniture at the esam, Caen. Project supervised by Benjamin Hochart, Lina Hentgen and the collective Fichtre!
Fanzine, 2019
Size: 10,5 x 21 cm
Printing method: risography
Number of copies: 200
Au travers
Au travers (Through), is a series of postcards asserting my status as an author through the words of Marguerite Duras.
Postcards, 2019
Size: A6
Printing method: serigraphy, risography
Number of copies: 50